![]() |
(Photo: Tierney Gearon)
|
Tierney Gearon’s stunning photographs of her children—often in masks or naked—at a London gallery in 2001 led one TV blowhard to deride her work as “exactly the sort of pervy pics that get downloaded from the Internet.” The controversy made Gearon “doubt myself as a mother.” Then—as if moving from Sally Mann to Diane Arbus territory—she started photographing her own mother, a manic-depressive, schizophrenic woman living in upstate New York. In advance of a show here this fall at Yossi Milo gallery, a new documentary at the Tribeca Film Festival, Tierney Gearon: The Mother Project, attempts to answer the questions her photographs raise, beginning with: What does her mother make of this? Mom’s reactions are as varied as her moods, from the victimized (“You’re making me look like I’m crazy!”) to the proud (“Tierney has never taken a picture that wasn’t beautiful”). Gearon continues to worry over her own motivations. “I am not fucking exploiting her—she exploited me her whole life!” she yells in the film. Later, she bursts into tears as she recalls how she left her baby crying alone in the hot sun—just to get the perfect shot.
![]() |
(Photo: Tierney Gearon)
|


Email
Print
The Trouble With Product Integration
Meet the Matisse of Subway-Ad Mash-ups
Equus Is Ready for the Glue Factory
The Coolest Hand: Paul Newman, 1925–2008
Look Book: The Gallery Owner 
Playing Hardball After Signing the Lease
Pork-Focused Street Food Done to a Tuscan Turn
Clam Pies on the Rise
Can Paterson Navigate the Troubled Economy?

Will Sulzberger's Heirs Sell the 'Times'?
How McCain Lost His Public Image
What Wall Street Will Look Like in Fall 2009